“Please, take a seat.”
Watching the black-haired man who timidly entered his office, the troupe leader collected his thoughts.
Kim Yul, Ulysses.
That name had already been firmly etched into the troupe leader’s mind even before he received the business card.
The troupe leader liked works with expansive worlds.
Of course, by “world,” he did not mean something as simple as the size of the continent in the story or the number of races that appeared.
Is it a world where the characters feel alive?
Or is it merely a flat, mechanical world that serves as a plot device?
Ulysses’s writing belonged to the former.
Concise yet brisk sentences...
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